1. Brevity
A “high concept” is an idea for a story or sketch that you can tell to someone in a sentence, and they’ll immediately understand its appeal.
Less than a sentence is even better.
All the creators of the excellent teen-boy fantasy movie Under Siege had to say was, “Die Hard on a boat.”
James Cameron’s pitch for Titanic was even shorter. He just opened a book and pointed to a painting of the Titanic.
2. Strange Attractor
More important than brevity is the strange attractor, that hard-to-define quality about an idea that makes people interested in it. It usually taps into one or more of these three things, ideally all of them:
A reference: a common experience in life that no one’s exploited in quite the same way
Existing IP: this doesn’t have to be something owned. There’s plenty of IP that’s free (like the Devil, Sherlock Holmes, Santa, and the moon landing)
A twist: a surprising way the above elements are put together.
A feeling of “I wish I’d thought of that.”
Stand-up premises usually have a strange attractor, too.
3. More Tips
I’ll be dropping my best tips for how to consistently come up with a ton of great premises for short comedy this weekend, Saturday, August 9 at noon CT at the "From Meh to Ha” comedy workshop. It’s free! Sign up here.
I've had an idea for many years about finding a Vietnam Vet who was living in a monastery in Thailand for the past 50 years, became a kung-fu master and is brought back to the inner city, helping different people (young and old) with his philosophy and kicking some booty, too. "Kung Fu in the modern inner city." You got kung-fu, you got Zen, you got drugs and gangs. That would be a good year-long film project in Everest.
I'm looking forward to the workshop tomorrow.